Everyday items like an old newspaper, a faded magazine, or the inside of an envelope, when cut just right, become special and profound,” she commented in a press release. “What I find irresistible about collage is how it reveals the ordinary as extraordinary. Oge Mora said collage reminds her of the special things in life. One of Carle’s never-before-exhibited collages of the Very Hungry Caterpillar, which he made at age ninety, is part of the new exhibition.įor most artists, it’s the tactile and transformative properties that draw them to collage. “My painted papers are like my palette, and some have become works of art in themselves,” he told us back in 2019. For over fifty years, this was Carle’s medium of choice, creating his picture book illustrations from cut and torn painted tissue paper. The term collage derives from the French word “coller,” meaning to stick or glue. To kick off its anniversary, the museum presents Celebrating Collage: A 20th Anniversary Celebration, featuring the work of twenty classic and contemporary picture book artists-from Carle, Ezra Jack Keats, and Leo Lionni, to Oge Mora, Nina Crews, and Bryan Collier.
The 43,000-square-foot facility in Amherst, Massachusetts, has served nearly one million visitors since its opening in fall 2002 and houses more than 11,000 objects, including 7,300 permanent collection illustrations. Now for another milestone: the Eric Carle Museum of Picture Book Art, which the author/illustrator cofounded with his wife, Barbara, is turning twenty. As readers, parents, and bibliophiles, we at Fine Books have always been great fans of Eric Carle (1929-2021), and we were lucky enough to connect with him in our winter 2019 issue when his stupendously famous picture book, The Very Hungry Caterpillar, turned fifty.
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